Folk Tale Is Always With Us...

The Wolf's Footprint, Susan Price

Years ago, when I wrote The Wolf's Footprint, I took the children being abandoned in a forest from
the beginning of Hansel and Gretel and added a pinch of Russian folklore: the idea that if you drink water from an animal's footprint, then you turn into that animal.

It's always been popular in schools -- indeed Kate Stilitz turned it into a musical. You can read about that here.

It continues to be my best-seller as an Indie book -- in the UK, the US, in Canada, Australia and Europe. If I knew what it was about the book that appeals so much, I'd put it into everything I write.

Its popularity decided me to spend 2018 in re-publishing some of my books for the same age-group of eight to ten.
Like The Wolf's Footprint, they're a mixture of original story-telling and folklore.

The three I managed to get done -- with the help of my illustrator, Andrew -- are:-

Odin's Monster

Master Thomas Katt and

The Bone Dog.

Odin's Monster, Susan Price

Odin's Monster is set further back in the past than the others: in the Viking Age. I based it loosely on the old Icelandic legend of 'Thorgeir's Bull.'

A witch with a grudge creates a monster and sends it against his enemy -- who happens to be the book's hero, Thord Cat.

The tension racks up as the monster drives away Thord's friends and family until only the old beggar woman, Bergthora, is left to keep him company as he waits for the monster 'to come horned' and kill him.

When I'm reading it in schools, I stop at the point where Thord says, "Now I shall have to find out what it is like to die," and say, "If you want to find out how it ends, you'll have to read the rest yourself."

In one school a teacher who'd been listening, chin in hand, startled me by crying out, "Oh no! You can't stop there!" (I think she was a good teacher.)

The book has illustrations by Andrew Price. The picture on the cover is one of them.

Master Thomas Kat, Susan Price

Master Thomas Katt is set in the Elizabethan Age but it's loosely based on an old Danish folk-story I came on when I was reading every book of obscure folk-lore I could find.

In the folk-tale, an old, childless couple become so besotted with their bull-calf that they take him to be educated by the local clergyman, so that he'll be better fitted to manage the farm when he inherits it.

The clergyman defrauds the old couple of all their money by pretending to educate their calf  -- but really, he kills the calf. And he gets away with it.

The lesson of the folk-tale seems to be: Fools deserve to be cheated. I didn't like this. I'd read that Elizabeth I said, "My laws shall ever protect the fools from the knaves." Perhaps it was this that gave me the idea of setting the book in Elizabeth's reign and making the Queen a character in it.

I changed the folk-tale. In my version, it's a kitten the old couple take to be educated -- and the Vicar doesn't get away with his villainy. He tells the old couple that their kitten has run away to sea and, years later, sends them on a wild goose chase (as he thinks) to the Miching Mouse Inn to meet 'Master Thomas Katt, just put in from the shores of Muscovy.' Master Katt, says the Vicar, is their kitten grown into a man.

When the poor old couple find the Miching Mouse, there really is a sea-captain named Thomas Katt and he takes up their cause and discovers that the Vicar has become the Queen's chaplain. Master Katt puts the case before the Queen, who is furious and wants to execute her chaplain forthwith. But Thomas Katt comes up with a better plan...

This book is illustrated too. Here's Master Tom Katt, just put in from Muscovy, listening to the tale of two strangers who think he is their kitten grown up.

It's the tale of a tom-kitten that grew to be a Tom Katt.

The Bone Dog, Susan Price

The Bone Dog has a contemporary setting but ideas from legend and folk-lore have still worked their way in.

Sarah longs for a pet but her parents won't let her have one because they are too expensive and messy. During the summer holidays Sarah goes, as usual, to stay with her grandmother and uncle Bryan who are, matter of factly, witches.

Her uncle promises to make her a pet that will never need to see the vet and won't need feeding. He does so by making her 'a bone dog' from an old fox fur collar belonging to his mother and a bone left over from a meal. He stitches the bone into the fur and brings the thing to life with suitable midnight ceremony.

Sarah teaches her pet tricks and treats it as a sophisticated toy -- until she discovers that she can see and hear what 'Reynardine' sees and hears. When she falls out with the girls next door, she uses her 'pet' to take revenge.

But the idea of a creature created from a bone and controlled by a witch comes from Icelandic legend. Icelandic witches were said to be able to create a 'milk carrier' from a human rib-bone. It would bowl off, end over end, to suckle milk from neighbours' cows and return to the witch with a cheery cry of, "My belly's full, Mummy!" It then vomited milk into a churn the witch had set ready. All very unsavoury. My bone dog is quite sinister but at least he doesn't run around up-chucking stolen milk all over the place.

Three books and all of them started with an idea drawn from folk-lore. I don't know where I'd be without my shelves of myths, legends and folk-lore.

Wishing you all a belated New Year - may it be prosperous. I hope your first-footer brought you plenty of cake, coal and whisky to see you through until this time 2020. (I think we may need it.)

Susan Price won the Carnegie medal for The Ghost Drum

and

The Guardian Award for The Sterkarm Handshake.

Her website, with reviews, writing tips, short stories and book extracts

is here.

June

From my kitchen window. Roses, white foxgloves, reeds...
          Below, the last of the dog-roses above the pool.

By the pond, the yellow flag which Madwippit (aka author Karen Bush) gave me last year. They didn't flower at all last year but have made up for it this.

 

Pink strawberry flowers and my
Grandad's favourite - sweet pea.      We have peas too, getting very chubby in their pods. 

Then there's the big fella, (below) the teasel.

That white wall behind it is six feet tall. It grows daily and is even taller now.

It's as well defended as a plant can be. Spikes and spines all over it.

But to end with something pretty...

 

A Review of A Sterkarm Tryst by Penny Dolan

Penny Dolan is a wonderful writer whose books include the gripping and beautiful romp, 'A Boy Called M.O.U.S.E'.  So I'm thrilled to have this generous review from her, as she is no slouch in the writing stakes and knows what she is talking about.

 You can read my review of A Boy Called M.O.U.S.E here.

 

 

A STERKARM TRYST by Susan Price, reviewed by Penny Dolan

Susan Price’s long-awaited YA novel A STERKARM TRYST has now been published. 

So, because I loved the world of the 16^th Century Border Reivers that was brilliantly evoked in the two earlier titles - THE STERKARM HANDSHAKE and A STERKARM KISS - I bought a copy of this third novel, and was not disappointed. 

Earlier events and confrontations are woven lightly into the plot, allowing new readers and re-readers slip easily into this particular storyline. This is science fiction with excellent time-travelling!

The trilogy has an interesting premise: James Windsor, a late 21^st Century entrepreneur, intended to use his company’s Time Tube to colonise and exploit the unspoilt lands of the past. 

Windsor thought his men would easily secure such a backward territory - and then they met the Sterkarms. Of all the feuding families in the Debatable Lands, the Sterkarms are the most treacherous: everyone knows that a Sterkarm handshake might promise friendship with the right hand while the left hand carries a blade to slide between your ribs. 

At first, the Sterkarms treat the 21^st century intruders with wary respect, deciding these strangers must be Elves. After all, they can appear and disappear, dress in unknown materials, and carry magic pills that take away pain. And from these "Elvenkind" springs the relationship that stands at the heart of the novels.

Andrea Mitchell, a 21st Century anthropologist, finds the love of her life in Per Sterkarm, the family heir, and at the start of THE STERKARM TRYST, she has come through time to her lover again, though uncertain of any welcome.

Known as his "Entraya", his Elf-May, she has a hard task. She has to warn Per and the Sterkarm family that a deadly new enemy has entered their lands. Windsor has time-travelled a group of Sterkarms from an almost parallel time dimension into this one. These are warriors who know this wild landscape as they do, and who fight with matching ferocity and who look just as they do. They will know all the Sterkarm tricks, and Windsor is behind them.

How can Andrea even explain this phenomenon? 

How can a Sterkarm attack another to whom - it seems - they owe loyalty? 

And how, I wondered, can a writer manage two almost-identical casts?

Susan Price does. Carefully, scene by scene, she moves the action forward, resolving what the reader wants resolved, and ending with treachery getting what it deserves. The headings keep the story straight and satisfying in its conclusions.

However, I must say that the plot was not the only thing that made A STERKARM TRYST a compelling experience for me. Within the storytelling, I heard rich echoes of the traditions, superstitions and legends of the Border Ballads, as well as the languages and voices of the region and its past. Humour is there too, within the pages, as well as moments when the differences between the present and the past are suddenly very evident.

Moreover, the dramatic landscape of the book is recognisably that of the Borders, an area of wild uplands and uncertain weather, a place where cattle-raids were then part of the culture, and where hunger was a constant threat.

I enjoyed being within that way of life, following the descriptions of an active community and culture, along with glimpses of cooking methods, housekeeping and textiles, herbal lore, fear and superstition. Captured in the writing too, was the importance of respectful behaviour and right words and acting according to your status: the sense of a time and place where any perceived insult might mean death.

A STERKARM TRYST feels a very physical story. It moves through camps and hovels and crowded stone towers, past the stink of unwashed clothes and the gutting of meat and the hard lives and gory deaths of men and women: this is not a benign or moral fairy-tale. Besides, survival depends on a reputation for cunning and treachery, especially when there are two lots of Sterkarms riding out, as well as Windsor’s thugs and their 21st Century weapons.

Yet, reading the book from the comfort of home - and despite all the violence - it is hard not to admire the warmth and energy and the bonds of family loyalty and protection within the Sterkarm clan. Like Andrea/Entraya, I found the Sterkarms beguiling, and welcomed the many characters that Susan Price has created – Toorkild, Lady Isobel, Sweet Milk, Gobby, Mistress Crosar, Joan Grannam, Davy, Cho and more - each one entirely convincing, for all their faults.

Especially that blue-eyed, fair-haired hero, Per May Sterkarm. And Cuddy. I have to mention them. Read the book and you’ll discover why.

Penny Dolan.

All three titles, including THE STERKARM TRYST, are published by OpenPress in a handsomely-matching set of covers or as e-books. 

 

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